Instead of investing, in the boundaries of creating art from hindsight we should initiate the path of art with foresight.
Photograph by Dennis Wickes
Statement
An ongoing interest in the relationship of organic and hard edge elements, has trained my attention toward those markers in familiar surroundings.
Extracting the visual components, drawing down their essence and responding intuitively, creates the compositional conversation.
Extracting the visual components, drawing down their essence and responding intuitively, creates the compositional conversation.
Christine Muratore Evans was inspired by Van Gogh's "Starry Night" Interviewed by Dolores Mitchell: Art Talk- March 2018: Muratore Evans recalls that at l7 she took a train from her home in Long Island to have lunch with her sister in Manhattan. "I got there too early. My sister was still working and told me to visit nearby art galleries for an hour or so. I discovered an entire museum devoted to modern art, walked in, saw a Paul Klee in the lobby, and thought 'Oh, my God, I'm home! Art doesn't have to be realism.'"
Then upstairs, I was transfixed by Van Gogh's 'Starry Night.' I loved his contrasting colors...the swirling movement in the sky was like a dance sculpted in paint."
As in "Starry Night," Muratore Evans, stimulates fluid eye movement in viewers through her paintings, She says: "I want the effect of moving through a landscape although without trees or mountains, to take viewers on an inner journey and communicate a joyful insanity."
Then upstairs, I was transfixed by Van Gogh's 'Starry Night.' I loved his contrasting colors...the swirling movement in the sky was like a dance sculpted in paint."
As in "Starry Night," Muratore Evans, stimulates fluid eye movement in viewers through her paintings, She says: "I want the effect of moving through a landscape although without trees or mountains, to take viewers on an inner journey and communicate a joyful insanity."
Location
Chico, CA
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Gallery
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